Tina Havelock Stevens


Tina Havelock Stevens is a Sydney based artist predominantly working across video, sound, music, experimental documentary and performance. She explores the ambiguities of human nature, using cinematic conventions and performance as a means of responding to personal histories and specific environments with audio-visual installations. Recently she had a major solo show at Perth Institute of Contemporary Art (Feb-April 2020) and was featured inThe National 2019: New Australian Artat the Museum of Contemporary Art, Sydney. She is the recipient of the prestigious 65th Blake Prize (2018) and the 55th Fisher Ghost Prize (2017). Fusing her sensibilities as a documentary-maker and musician, she creates immersive art, dwelling on loaded sites to speak of survival and fragility within environmental, urban and emotional spaces.

Havelock Stevens has exhibited and performed solo, and with collaborators at DARK MOFO, Hobart (2016) Liveworks, Performance Space, Sydney (2015, 2016 ,2017, 2019), MONA FOMA, Launceston (2020) and MONA FOMA, Hobart (2013).

In 2019 she presented a significant new commission for the Museum of Contemporary Art’s C3West program; Hasta La Bella Vista Baby, a visual and sonic portrait of a large community in Sydney’s north-west. 

She has exhibited extensively in galleries in Australia. Internationally she has presented at PS122, NYC (2012) Bullet Space, NYC (2016), Mill6 Foundation, Hong Kong (2016) and Manila Biennale, Manila, Philippines (2018).

She is a resident artist at the Clothing store Studios, Carriageworks, Sydney.

Havelock Stevens will be exhibiting in the forthcoming 2020 Yokohama Triennale, Japan.










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